Kulay-Diwa Gallery of Philippine Contemporary Art     

 


 

Kulay-Diwa Gallery of Philippine Contemporary Art
25 Lopez Avenue, Lopez Village,Sucat
Paranaque City, Metro Manila 1700
Philippines

ph: Landline: (632)8260574
fax: Contact Person: Bobbit
alt: Wireless Landline: (632)4252647

Jerry Navarro

  

Jerry Elizalde

 

Navarro,

 

National Artist,

Painting 1999

 

 

 

 

 

Jeremias (Jerry) Elizalde Navarro (1924 - 1999)

 

 

A multi-faceted quintessential artist with the vision, foresight and prolific genius that made a mould all of its own. 

The richness of his art, its intensity and depth, makes the loss of its creator assume a greater purpose and influence that thrives in that absence. For we distinctly sense what was once and what has been; feel fleeting moments suspended from those shards of hues and colours that reach out from his works and canvasses.

The artist has paid respects to life. He has through discerning vision created avenues for intensity and powerful images – forging, splicing, and moulding bonds between art techniques and a variety of media. The sensual grasp of his images reaches far into the soul, drawing the viewer into the very recesses of his own reasoning. Often baring pains in all their nakedness, confronting truths in mirrors of hues and colours, or seeing through the tedious and the ordinary its glorious self. His works mirror parts of himself. His subjects were the anchor for the dazzling splay of colours that make his canvasses come to life. Free flowing, bold strokes, swift and short dabs and swirls, he forged them into a prism of images. A master in his chosen genre, his work evokes power and deep thought.

A Negrense, he was born in San Jose, Antique on May 22, 1924. He graduated with a Bachelor’s degree of Fine Arts major in Painting at the University of Santo Tomas in Manila. Married to equally famous sculptor Virginia Ty-Navarro, He had represented the Philippines in various artistic events from Brazil, Berne, Czechoslovakia, Japan, Indonesia and the United States. The list of his achievements is long and his works ranged prolifically from oils, acrylic, watercolour, sculpture, multi-dimensional and mixed media.

In his relentless pursuit of the ideal, he took cognisance of a formal education in art training as a vital element for creativity, supplemented by experience and constant experimentation. He once wrote: "It is no wonder that graduating from art school while working in advertising graphics resulted in my successful paintings and sculptures. I would say that the stringent parameters of advertising art coupled with the disciplines learned in serious art would help any artist whether he is in painting or art sculpture. Many would agree with me that the same creative adrenaline is expended in the pursuit of any art, be it serious or commercial. In the end, it is one’s talent and integrity that arbitrates on whether one has crapped or laid a golden egg.


With an open mind, he absorbed new ideas, techniques and various influences which he observed in his travels and stints overseas. In his one-man exhibition at the Mitsukoshi Gallery in Tokyo (1958), his artworks bore the influence of his fascination with the Japanese traditional art.

In 1969, he taught advance advertising design at the National Art School in Randwick, Sydney. Observing the advanced state of art education, he remarked "My teaching experience had been varied in Manila and I am glad that my teaching stint in Australia at the National Art School, although short lived, gave me the opportunity to look at how developed countries provide a climate conducive to the learning of the arts by young hopefuls. Conversely, I look at the sad state of our art school where ‘deplorable’ teaching is carried on…"

He not only had numerous one-man exhibitions but he had also participated simultaneously in countless group exhibitions in the Philippines as well as overseas. During the later part of his life, in Parañaque where he and his family decided to settle, he had generously participated in civic art projects and programs in support of upcoming art hopefuls from a poor background.

Ever the relentless artist, he painted ravenously even towards the end. When his fingers grew too weak, his common-law wife Emma who is also an artist in her own right, continually stayed his side to assist him. While illness slowly ravaged him, his art, meantime carried on an independent and distinct identity of its own.

 

 


Born:  1924  San Jose, Antique, Philippines

1947Studied as a Ramon Roces Publications Scholar, School of Fine Arts, University of  the Philippines, Manila
1948

Moved to the University of Santo Tomas taking a course in painting. Became Art   Editor of the University’s school organ The Varsitarian

1951Received Bachelor of Fine Arts Degree, Major in Painting, University of Santo Tomas,  Manila
1954

Originated “incision painting” and created construction pieces of mixed  media, including metal, wood and found objects

1957Visited Japan as guest of Japanese chapter of the Youth Association of Asia,     observed traditional Japanese art
1964

Served as member of the design group  the Philippines participated in the New York
World’s Fair; installed large iron mural at the Philippine site.
Recipient of a Creative Exchange Program from Compton Advertising , New York 
Worked as an Art Director and Vice President for Creative and Print Production services  

1967Represented the Philippines in Sculpture category, Sao Paolo Biennale, Brazil
1969Taught advanced advertising design , National Art School, Randwick, Sydney, Australia
1970Represented the Philippines in the sculpture category, Sao Paolo Biennale, Brazil
1972

Represented the Philippines at the Biennale de Arts Graphiques, Brno,              Czechoslovakia
Represented the Philippines in the sculpture category of sculpture at the 9th and 11th Art Biennales in Sao Paolo, Brazil
Represented the Certificate of Merit Award by the Art Directors Club of New     York, U. S. A.

1973Appointed Director for Graphics, Design Center Philippines
1974Represented the Philippines, Biennale de Arts Graphiques, Brno, Czechoslovakia
1975Served as Graphics Designer for the Philippine participation,  Ocean Expo,        Okinawa, Japan
1977

Designed the Philippine booth, 12th Tokyo International Trade Fair, Japan            Designed the Philippine booth, 1st ASEAN Trade Fair, Manila, Philippines

1978Represented the Philippines, Biennale de Arts Graphiques, Brno, Czechoslovakia
1979

Designed the Philippine Trade Exhibition, Hamburg Centrum, Hamburg, Germany
Acted as designer for the Philippine participation in TELECOM 79, Geneva,        Switzerland

1980Became first Filipino artist to be represented at the Yayasan Dharma Seni Museum        Neka, Bali, Indonesia
1984

Participated in “Ugat Suri”, Intergallery Exhibition, (sculpture category),ASEAN      Institute of Art, Manila, Philippines
Served as delegate, 2nd All-Asian Consultation on Christian Art, Mt.Makiling,       Laguna
First Filipino artist to be represented at the Yayasan Dharma Seni Museum Neka, Bali Indonesia

1999

National Artist Award – October 14 at the Leonardo Locsin Hall of the NCCA,       Intramuros


Selected Individual Exhibitions:
1954

First one-man exhibition, Philippine Art Gallery

1958Mitsukoshi Art Gallery, Tokyo, Japan
1989 “Bali on My Mind”, Ayala Museum, Makati City
1993“A Return to Abstraction”, Ayala Museum, Luz Gallery, Galleria Duemila
1995-1996 "J. Elizalde Navarro: 45 Years of the Artist's Work", Metropolitan Museum of   Manila
1998

“DANSE” GSIS Theater, Roxas Boulevard, Pasay City

1999

“Selected Paintings and Sculptures”, Galeria Veintiuno, XXI

2000“Jerry Elizalde-Navarro National Artist”, Galleria Duemila, SM Megamall
2003“J. Elizalde-Navarro”, Art Center & Big & Small Art Co., Artwalk SM Megamall

Group Exhibitions:
2000“Guhit Ulit”, Museum of Arts & Sciences, UST, Manila
1999.

“Four-man show: Cruz, Navarro, Olazo, Wilwayco” Gallery III, Ayala Museum, Makati City

 “Selection of Drawings”, The Drawing Room, Makati City
1997

“Breaking Boundaries”, The First Philippine Stock Exchange Art Exhibit                   PSE Plaza, Lobby, Makati and PSE Center Auditorium, Pasig City

 “Modern Art” Galleria Duemila, The Art Center, SM Megamall
1995“Nudes”, Two Man Exhibit, Navarro- Nuyda, Galleria Duemila
 “Ako”, self portraits of selected artists both living and dead, Metropolitan Museum of Manila

 


 

 

Kulay-Diwa  is a venue for Philippines and Southeast Asian Contemporary Art. Inaugurated on February 7, 1987, Kulay-Diwa, is strategically located within a cluster of communities South of Manila.  It has five independent exhibition areas able to accommodate large-scale works and a garden ideal for programs, performances and sculpture installations.  The goal of the gallery is to discover and promote the works of young, talented but deserving Filipino Artists and to foster cultural interaction and exchanges with the local regions and other countries.

 

 

Kulay (Colour)

Diwa  (Spirit, Thought)

 

Works currently unavailable. Please contact us if you are interested in his works.


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Kulay-Diwa Gallery of Philippine Contemporary Art
25 Lopez Avenue, Lopez Village,Sucat
Paranaque City, Metro Manila 1700
Philippines

ph: Landline: (632)8260574
fax: Contact Person: Bobbit
alt: Wireless Landline: (632)4252647